Book cover designs of the mid-2020s

I was walking around my local Dymocks this morning, not looking for anything in particular, and thinking how much goes into book cover design these days. Not just the actual design, but the printing too – spot varnish, holograms, embossing and gold leaf weren't all that common in past decades. Here are a few that stood out to me. Although, will I look back on these in 20 years' time and think, "That looks so mid-2020s!"?

Let's Find Out.

You would expect a book about the moon to have a picture of the moon on the cover, right? That's No-Brainer Book Design 101. But the moon is just...a nondescript grey ball. Sorry, but it is. Don't get me wrong, the moon is a wonderful thing. In fact my niece always looks for it in the night sky and I've started giving it more attention than I used to. And this vivid colour treatment used here is pretty dynamic, with its high contrast and sense of gentle rotation and motion. Also, it's a good book, from what I read flicking through it.

A travel book that avoid the usual clichés, instead going for more abstract imagery and vivid colours. Bold typography and spot varnish on this larger-than-A4 hardcover book.

m    i    n    i    m    a     l     i     s     m

I like this one, with its bold orange (or "satsuma" if you will [no]) contrasted by the dark background, with the Eurostile typeface prominent. The only thing I don't like is the extraneous text, and this is far from the only example. Does "The number one bestselling author" really need to be there? Number one where? And when? And which? And also, "A novel" written under the title. Thanks for that, mate. I thought it was a board game, but thanks for setting me straight.

Old-style/vintage typefaces and iconography always score high with me! It's a crappy photo, but you get the idea. For some reason this treatment always works well when there's a character's name in the book's title. "Glorious Revenge" on its own just wouldn't cut it. Don't ask me why. More extraneous text here: I'm also not a fan of pull quotes cluttering up the front cover. No, I'm not particularly interested about what the Sydney Morning Herald had to say about this book. Leave me alone.

As a fan of The KLF and their bizarre antics in the world of late '80s–early '90s house music, I actually want to get this book! But, you know, times are tough. But the design uses the same Compacta Black typeface used on The KLF's cover art, and the lurid pink and yellow is redolent of Never Mind The Bollocks, so that's a plus point too. And the sheep. And just so you know, yes, they actually did burn a million pounds. More power to them.

A simple gold leaf overlay of a dinosaur skull, and simple sans serif typographic layout in a tasteful orang-utan green. The top half isn't actually dark, I just took the photo like that to emphasize the gold lettering. Not that I had much time to set up the shot in a crowded bookstore.

Not the best photo, but hopefully you can see the hologram effect on the book title and other design elements on the cover. Some designs overdo holograms but this one is understated and quite effective. It actually makes me want to learn more about phosphorescence. Well, no it doesn't. I can take it or leave it. But opposite this was a book called "Taylor Swift and the clothes she wears". Zzz. I know which one I'd rather read.

Depending on how long these books stay in print, it's fair to say that these cover designs will not be permanent. Unlike record covers that stay the same regardless of how long the album is in print, book designs are regularly updated and re-designed. (Why is this, I wonder? Can anyone tell me? Hello? Planet Earth, can you hear me calling...)