Homecooked Comics Mini-Market

Today was the Homecooked Comics Mini-Market for 2017. Whereas last year's event was held at the Town Hall in Northcote, due to issues with that venue, this year's event was scaled down and held instead at the Squishface comics studio (and adjoining studio space) in Victoria Street, Brunswick.

Despite the space constraints, we still had room enough for my books on sale, and those of SCAR, who couldn't attend due to other commitments.

Even though not as many people attended as customers, I still managed to make one sale and one for SCAR as well, which was satisfying.

Thanks to Sarah Howell and Ben Hutchings for hosting us on the day, and Cristian Roux for having a chat. It was great seeing the artwork of all these creators. See you next year! I'll post tomorrow about some sights we saw in Brunswick after the event finished.

New Layout

After at least 5 years, I thought this blog was long overdue for a layout redesign, so here it is!

The background image is a watercolour illustration I did in the middle of the night 3 years ago, and the new header features Sugar from Airbury.

Phantastique

I am somewhat privileged to say that I have worked on the page layouts for Steve Carter and Antoinette Rydyr's brand new full colour graphic novel, Phantastique. A mix of sci-fi and horror, from the thrilling to the bizarre, and drawing on 30 years' worth of material, this 104-page book is being launched at Melbourne's Supanova event on April 30, 2017.

Although I did the layup for their previous graphic novel Weird Worlds, this time I also coloured a two-page story titled "Seeds Of Death". You can see the first page of this in the Facebook post screencap below.

 Like the look of this? Head on over to SCAR's website, and bring the kiddies, why don't'cha.

Making Comics Is Hard (So Why Bother?)

Yeah, making comics sucks sometimes.

So why bother? While everyone is out having a good time – boozing it up and smoking pot and sniffing coke – you're sat on your lardy proverbial, drawing dorky characters in a dimly-lit room with naff '80s hair metal playing on a busted ghetto blaster, while garlic prawns simmer in a bain maree out the back.

Of course, it's a waste of time. No one's gonna read this crap. Comics are for kids, man. Who even reads anymore? None of the 'sophisticated adults' I know would be caught dead reading this junk. Why don't you just go get your qualification to be a dentist, like Aunt Lisa wanted.

Comics? Nothin' to it, I tell ya. Money for old friggin' rope. But like I told ya before, anyone can churn out this stuff if they really want to. With the right presets and page templates, plus a good comic lettering typeface you nicked offa 1001 fonts dot com, you can churn out inconsequential fluff at a rate of a thousand pages a year. No one's going to read it though. Because nobody reads comics.

Ah, but they do. Well, one person actually.

That's right. Only one piddling little insignificant person out there wants to read your comics. That person is but a speck of dust upon a germ upon a pinhead. But to you that person is the be-all and end-all, to use an old biddy's term. That person is your audience. You must get back to your drawing table. Get your flabby arse-cheeks upon that seat. For them!

Because you see –

Even if only one person is reading your comic you still have to do it. Keep on drawing it. If anyone tells you not to bother and give up and get a job putting tools into bags, you can tell that person to 'naff orf'. Just finish that comic. ASAP.

And when you do, send me a copy. I could do with a good laugh.

Viva La Causeway!

Wandering around the City of Melbourne on this typically balmy autumn evening I noticed a double banger of the street-sign variety. Someone out there really wants you to know that this nondescript alleyway is, in fact, called 'The Causeway'.

I used to live in Perth, for my sins, and over there there's a road called The Causeway, too. It's a road that leads into the city, and has several lanes, or something. It's not a tiny city backstreet for hobos and bums to have a slash in.

But! Be that as it may. This insignificant laneway has been bestowed an unusual honour by the people who erect street signage in the 3000 postcode. Not only does it have its authentic olde-tyme white-on-black rustic sign but also the new, government-approved white-on-blue one, with its new-fangled 'lower case' lettering.

Someone's takin' th' piss, yeh? I can't see why anyone would see fit to have two signs. What, is the old one too illegible? Did they think no one would believe that was the correct name?

All I'm saying is, the people who make the decisions that we all have to live by, are plonkers.

Top Ten Flashback: April 4, 1992

Welcome back to 1992! This week 25 years ago, I was but a mere 13 year old regular watcher of the chart countdown on Rage. It wasn't a typical week for popular music when you recall the prevailing musical trends of the early '90s, so there were a few surprises in store – two debuts in the top ten being one, as that didn't happen very often back then. Let's check out the top ten in this recap of the Australian singles charts for the week ending Saturday, April 4, 1992.




10.  James Blundell & James Reyne – "Way Out West" º
Nothing extra special to mention about this song, except this was its first appearance in the top 20. It wasn't typical for country songs to chart at that time, let alone so high. I lived in Western Australia at the time, so I imagine the lyrics would have resonated with plenty of people in my then-home state, as would the photo of the hapless twit on the single cover.

 9.  Genesis – "I Can't Dance"
This is the only song by Genesis I like, although I must admit I've only heard about three of their songs. This was the last hit single they had. The vocals and lyrics leave a bit to be desired, but I still like it because I can't dance either. The piss-taking music video is quite fun too, and I really like that hard snare hit that kicks in towards the song's end.





 

8.  Diesel – "Tip Of My Tongue"
Diesel, real name Mark Lizotte, formerly known as Johnny Diesel, formerly formerly known as Johnny Diesel & The Injectors, was one of Australia's most popular male solo artists at the time. This was his biggest hit, reaching number 4.





 
7.  Def Leppard – "Let's Get Rocked" ºº
Kicking off the so-called 'grunge' scene in Australia were of course Nirvana, whose breakthrough hit "Smells Like Teen Spirit" had reached its peak position of number 5 only four weeks earlier. But now, debuting here at number 7 was this slab of stadium rock. It sort of became a cult favourite among my fellow Year 9 students at school, and I remember the 3D-animated dude in the video (pictured at top) being somewhat of a slacker totem. This was also the year of Wayne's World, so it tied in with that theme, if not musically.


 
6.  2 Unlimited – "Get Ready For This"
It would reach its peak of number 2 the following week, but this lyricless (although I prefer the mix with rap and vocals) techno anthem was on its way up the charts. Having been hooked on the song from first listen, I bought the single pretty much straight away and played it to a friend – something I didn't do very often. I reckon it's held up well after 25 years, as sports promos are still using it.




 
5.  The Cure – "High" ºº
Argh! Sorry, but I can't stand The Cure (or just 'Cure' as they were billed on singles and album covers from this era). So for me, everything about this was forgettable, except that in debuting at number 5, it gave the band their highest debut position in Australia and was actually the second-highest debut for 1992. The highest was–






4.  U2 – "One"
Yep, you guessed it, U2. Although it entered the chart the previous week at number 4 but progressed no further than its debut position, "One" was 1992's highest-debuting single. Still my favourite U2 song, Rage only showed the 'running buffalo' video for the song which is the one I like the most of the three that were produced. Simple but effective, its lack of action makes you concentrate on the lyrics a bit more.




 
3.  Vic Reeves & The Wonder Stuff – "Dizzy"
Yeah, it's an okay song. I personally found it a bit too long, but I guess that's what radio edits are for.








 
2.  Julian Lennon – "Saltwater"
This heartfelt ballad about environmental concerns, a common theme in the '90s, had just lost its number 1 position from last week, having been there for 4 weeks. I didn't mind the song, but I'm not real big on ballads. Next!






1.  The 12th Man – "Marvellous"
Australian comedian Billy Birmingham (12th Man) (Capt.) had turned his cricket-related comedy into a hit single. Normally I suppose he was more of an albums type of guy, as you had to listen to an album's-worth of material to really get into it. Now, I can't bloody stand cricket, I think it's the most boring game ever invented, but I liked this song 25 years ago and I reckon it's pretty ace now. Come to think of it, rapping in a broad Australian accent was pretty groundbreaking in 1992. There were leaders in Aussie hip-hop like Sound Unlimited Posse but I don't think the 12th Man was following their lead; I've read that "Do The Bartman" by The Simpsons was a possible influence here. Anyway, I might not have caught all the cricket gags, but it worked well as a song, as its chart-topping status proved.