Showing posts with label trips. Show all posts
Showing posts with label trips. Show all posts

August 5, 2021

20 years since my first day in Japan

The eyes of sports fans around the world are on Tokyo right now, and on this day 20 years ago, I arrived in Japan for the first time. I was 23 years old, having had my uni graduation only three months prior. Here are my recollections of my first three days in Tokyo.

The hot and humid Sunday morning of August 5, 2001 is my first day in a country I had previously only come into contact with through Japanese classes, soaking up the culture by proxy. My involvement was typical; outings to Japanese restaurants, watching a low-res bootleg of someone’s ‘fan-subbed’ anime video, and hosting an exchange student named Gaku – the first Japanese person I ever met. Filed away in my mind during that period was the notion of Japan as the country responsible for video games, lurid cartoons, martial arts and electronic gadgets, all produced by overworked businessmen.

As the Perth group of twenty English teachers-to-be stagger off the plane into the Tokyo dawn, our suitcases are tagged and forwarded to our respective prefectures. Our first day in Japan has barely reached the breakfast hour and the humidity is enough to wilt flowers. I manage to board the coach first, where I stretch out and fall asleep on the back row of seats.

When I awake we are no longer in Chiba prefecture where Narita Airport is. We are now surrounded by towering skyscrapers on all sides in the Tokyo district of Shinjuku. The name means ‘New Lodgings’. New indeed. There are probably enough buildings to house the entire population of Australia. The gleam from the windows do a good job of temporarily blinding us as the coach pulls silently up to the Tokyo Hilton Hotel, and it is there that our group splits up. Several people are deposited there, and at the next stop, the Century Hyatt Hotel, me, my new friend Chris, then 31, and a third guy get off the bus. The three of us are escorted up to the eleventh floor.  

Chris and I look at the big brass keys in our hands and see they both bear the number 1120. We open the door to find two beds and a third bed folded out from the couch. Dropping our luggage on the beds, we stare out of the large window into Shinjuku Chuuou Kouen (Central Park) across the road. Our remaining roommate arrives after twenty minutes; Deane, from Christchurch, New Zealand. He is 28, making me the youngest of the three, but we have a lot in common. We are all bound for Gifu prefecture, and none of us have been to Japan before. In the centre of the huge expanse of trees beyond our window is a small paved area where a second-hand market buzzes with activity. To the rear is a small waterfall. You can see this below in the first photo I took in Japan, from the hotel room window.


Deane then falls asleep, so Chris and I decide to go outside and have a look around. Outside, we cross a footbridge over the road, and then over a smaller one named the Rainbow Bridge, and find ourselves in the park. The air rings with the buzzing of cicadas coming deafeningly from every tree. On the ground, people doze on mats with mosquito coils burning beside them. Chris and I do a quick lap of the market, and look at the waterfall which is named ‘Shinjuku Niagara’. We then head past the massive Keio Plaza Hotel and back to our own.

Deane is still asleep. About 11:30 the phone rings. Chris answers it, saying “Moshi moshi”. He is excited to be using the Japanese phone greeting for the first time. It is my family calling from back in Perth. I drink some water and lie down. The phone rings again; Chris’ friend Tetsu from Nagoya is in town. While Chris gets ready to meet him, I fall asleep.

I wake up to find Chris gone and Deane awake. It is already 5:30 p.m. I suggest to Deane we have a wander round, and he says he wants to go for a run in the park. In the lobby Deane runs into some of his Kiwi friends, and we stand and chinwag for several minutes before heading out towards the humid metropolis. As we pass the park, we see the sellers have now all gone. Only a few kids doing stunts on BMXs and a couple playing badminton with no net, remain. We head through the underground tunnels of Shinjuku Station and emerge into the nightlife on the other side. The sky is dark, the neon signs are pulsating, and cars choke the roads. The vivid colours and cartoon caricatures tease the eye; the flashing lights never stop. Shop stereos blast J-Pop, the perky and upbeat genre of mainstream pop music, as giant video screens on the side of buildings blare and glare with slick animated commercials.

Once again we stop to take it all in. Deane also remains silent, and he must be thinking what I am. I have seen this city depicted in a dozen anime films and TV series: as a mutated post-nuclear mega-tropolis in Akira; as a crime ridden psycho-zone in Burn Up W and as a carefree nighttime playground for ne’er-do-wells in Taihou Shichauzo (“You’re Under Arrest”). Now that I have ended up here I can see it for what it is: all of the above and more.

It may seem unbelievable in the era of smartphone cameras (and in the era of digital cameras before it), but I only took two photos on my first day in Japan – taken with my somewhat naff Olympus film camera. And the second photo wasn't even taken by me. It showed Deane and I in the hotel room and was taken by Chris.



Deane says he will head back to the park for a run, so I continue on up a stairway, through a shopping precinct and down a crowded inner-city street. Crowded is not the word, although obviously I just used it. There are 325 people per square kilometre in Japan. For ten minutes I stare around me glaze-eyed at such sights as a punk in chain-mail; a girl with him in ‘Goth Lolita’ get-up; people sending text messages as they wait to cross the street; piles of discarded magazines on meter boxes; calling cards of prostitutes in phone boxes, each one featuring a manga character; trash bags piled up on the kerb and a noticeable lack of rubbish bins; and the ever-present hordes of gaijin (foreigners).

The katakana word geemu (game) on a sign catches my eye and I follow the arrow down into a seedy video game arcade. A large fan is on full speed, barely ruffling the addled gamers’ mohawks. A few of the cabinets are just excuses for full-frontal cartoon nudity. Back in the street, I spot the pink HMV logo on the side of a building some distance away. I head towards it in the scrum of flawlessly-attired Tokyo-ites. I reach the Takashimaya Department Store, and get the lift up to the twelfth floor. Entering the massive store, I am surrounded by millions of CDs on shelves, and take a stunned moment to scan the signs above them to seek out the correct genre, which are written in English.

Even after eight years of learning Japanese I’d never bothered to learn the order of the hiragana so locating my favourite Japanese band Shonen Knife is a tad difficult. I eventually find two of their albums and scurry off to the checkout where a youth awaits me. The two CDs come to over 6000 yen – about a hundred dollars in Australian money – but my dedication to Shonen Knife refuses to let this fact sink in. Tax is not included in the stated price, which means you can never have the exact change ready. I hand over a 10,000 yen note, and he returns the change and receipt on a small metal tray. Then, producing a small card and a leaflet, he begins to explain something. I stand there and pretend to be in the know, but I do manage to surmise that he is giving me a loyalty card, with five points for every CD purchased. Luckily, part of the leaflet is in English. He swipes my card and I collect five points. I thank him and leave, my first real-life informal interaction with a Japanese person in Japan completed satisfactorily.

I have no problem getting from Takashimaya to the shopping precinct I first entered but from there I am lost. I decide to trudge down some back alleys in the hope that they somehow lead back to my hotel, but of course they don’t. I go around the block and end up on the main road. Finding one’s way is different to back home; directions in Japan are usually given by block numbers and landmarks. Most streets don’t have names; only main thoroughfares have them. Trying the opposite direction this time, I catch sight of a McDonald’s (where else), go in and order a meal. Ah, a familiar gaijin ritual. It takes them a while to make the burger, so I am given a free small Coke while I wait. I pay with a 500 yen coin. It feels strange to pay for a whole meal with one coin. As I eat, I watch a live music show on a large video screen.

Back out into the warm night I go, sticking to the main roads and find my hotel using the maps on the roadside. Chris has just returned from a place called Asakusa, and Deane has brewed some coffee which he bought from a convenience store called ampm. “Did you find the CD you were looking for?” Deane asks. I say yes, showing him my copy of Strawberry Sound. “Sweet!” he says, in that easy-going Kiwi way. How appropriate (and also inevitable) that my first purchase in Japan were two Shonen Knife CDs.

I was completely dead beat at this point, so I fell asleep without dwelling on the fact that this was my first night in Japan, with a year of living there ahead of me. But I've never forgotten that day. I was grateful to use it by going out and exploring. Perhaps the JET Programme organizers gave us that day to get used to our new surroundings.

 

A 'selfie' (even though the term hadn't been invented yet) in the Tokyo district of Akihabara,
August 7th 2001. I really felt like I had stepped into the future. 

 

Back on August 5, 2011, I chatted with Chris on the occasion of the 10th anniversary of our Japan arrival. "Wow, doesn't time fly," he said, and I hope he won't mind me reproducing his comments here. "I want to go back in time. Back to 2001."

I asked him what he remembered about that first day. "It was like a sauna!" he said. "I remember walking around Shinjuku overwhelmed. The hotel was very nice. Luckily we had good room mates, me, you and Deane. I think everyone slept that evening. I didn't, I met a Japanese friend and we went to Asakusa. I somehow felt OK the next day. We had to be careful, being hillbillies from Perth, haha."

I just reminded Chris this evening about it being 20 years. "Happy 20th JET-iversary!" he said. "Don't throw away those photos and journals. We can talk about it when we are 80! I think I didn't take a photo that day. Most were so tired and slept. Was it just three of us in the [hotel] room? We were lucky, us three. We all got along so well. Never easy staying in a room with people you don't know. I knew you so it was easy."

July 2, 2013

Hong Kong Paintings

I'm on holiday in Hong Kong and having a great time, but I've also been doing the occasional painting. Here are the three paintings I did while here – photographed via Photo Booth for that extra-distorto effect. What a good way to wrap up the 34th year of my life. When I get back home there'll be more stuff posted, including sketches and a photo bonanza!

"Immortality"
poster/acrylic on canvas 60x45cm 


"Junk"
acrylic on canvas board 25x20cm 


"Possession"
acrylic on canvas 45x60cm

January 28, 2012

Scenes From America I: The Kurt Cobain Tour

Well, I'm back after 11 weeks in the United States and here is my first themed photo megapost, and it really has nothing to do with illustration or design – rather, it's about Nirvana, and Kurt Cobain. As a huge fan of Kurt as a songwriter and musician, it was a unique experience to visit the city of Seattle where he lived, and the small town of Aberdeen where he grew up – not to mention the amazing Nirvana exhibition at the Experience Music Project in Seattle. So, here are some Kurt-related things I was able to see on my trip.

(Thanks to Joe Cooper for taking me to Bellevue and Aberdeen. The EMP's Nirvana exhibit was curated by Jacob McMurray; no copyright infringement is intended!)

When you enter Aberdeen from the eastern side you are greeted by this Welcome sign. To commemorate Kurt, a smaller sign was later added bearing a Nirvana song title which has since become Aberdeen's unofficial motto.


This is 1210 East 1st Street, Kurt's early childhood home in Aberdeen. His family moved here in 1968, the year after he was born.


When Kurt visited his aunt, Mari Earl, who was herself a musician, he would play this guitar, which is now on display at the Hard Rock Cafe in Seattle.


This star has been set into the footpath outside Rosevear's Music Store in Aberdeen where Kurt got his first guitar (or took his first lesson; I forget which). The store has since moved a short distance away since Kurt's time.


And right outside that same store I found this cool decorative mural on a tree railing.


Kurt's mythmaking Young Street Bridge, immortalized in the Nirvana song "Something In The Way". Some say he lived under this bridge when he was homeless, or at the very least spent the odd night here. The sign says "In Memoriam – From The Muddy Banks Of The Wishkah", and yes, they are indeed muddy. It's like slippery clay under the bridge. Watch your step!


In Riverfront Park, a small patch of green next to the Young Street Bridge, is this sign featuring a drawing of Kurt and the lyrics to "Something In The Way". The other side (facing the road) gives a description of Kurt's history with this location.


And just below the sign is this plaque in the ground, featuring some of Kurt's quotes.


This is cool – a guitar statue entitled "As You Were", mounted on a platform. The curved metal strip bears the words "Just one more special message to go, and then I'm done, and I can go home", a line from the Nirvana song "On A Plain". You can see the bridge in the background. The whole small park is well kept and is definitely a place true Nirvana fans must see; it made me think Aberdeen has done more to commemorate Kurt than Seattle has, but at least there's the Experience Music Project.
Speaking of which...


If you're a Nirvana fan and plan to go to Seattle, go and see this. It costs $18, and $15 if you get one of those tourist brochures with coupons. My hostel got me in for $11. Worth every cent (and there are plenty of other great exhibits as well). There's plenty of time, it'll run until April next year. I'm not going to post photos of everything there, there isn't enough space. And Jacob McMurray wouldn't be too happy.


But here's something I really liked – a photo of Nirvana with Shonen Knife, in the early '90s. Two of my favourite bands in the same room together. Awesome.


This was my favourite item on display: Kurt's T-shirt he wore in the "Smells Like Teen Spirit" video. I don't know how much thought Kurt put into what he was going to wear in that video, but this unassuming brown and green long-sleeved T-shirt he chose unwittingly became an iconic piece of clothing. It's still in great condition too (unlike Kurt's canned meat)!


Kurt's final residence (seen from the side) on Lake Washington Boulevard East in Bellevue, just outside Seattle – apparently the sixth-most expensive street in the United States. Kurt was found dead here in 1994; fans still come to the tiny park next door. Its name is Viretta Park, but the name sign was missing.


Viretta Park has two wooden benches covered with messages from fans...


...and the second time I went there, I added my own. Nothing profound came to mind, so I kept it simple.


And finally – the nearby city of Tacoma paraphrased a certain song title on one of their souvenir postcards.

November 17, 2011

Seattle And Tacoma

As promised, here is my first newsreel-of-sorts, coming to you live from the top left-hand corner of the United States; the state of Washington! I have visited the cities of Seattle and Tacoma, there is plenty more to see there than in this meagre blog post, but I'm holding some other stuff back for later, as it related to a different theme (a certain 1990s rock band that put Seattle alternative music on the global map...). You'll have to wait and see.

Okay, back to this. Below is a photo of the Seattle Art Museum. The statue outside moves its left arm to strike whatever that is in its right hand with the hammer. One of the few moving statues I have seen and it looks impressive, as well as providing a handy reference point for those in the city. I have been fortunate to get mostly fine weather for the 11 days I have been here; the day this photo was taken (Tuesday, November 8) was fairly sunny, for an autumn day.


On Wednesday night, November 9, I finally got to see my fave band ever (other than Nirvana) perform live at the Showbox in the south downtown area. They Might Be Giants played a 29-song set that I and the other fans had a great time singing along to. We found out later that John and John had been feeling unwell; no evidence of this during the show, as they put on a solid performance. John F. was ever the showman, telling jokes throughout, and handed out stickers of their new album cover at the end. The photo below is courtesy of Extremely Crappy Live Concert Photos, Inc.

On a side note, if anyone knows of a non-DSLR digital camera that can take decent (unblurred) indoor nighttime shots without flash, let me know. Don't say use your phone or you might get a toaster hurled at your face. (I'll post a review of TMBG's show with more pics on the China 5 Blog soon, as it's more music-related.)

Meanwhile, in the city of Tacoma, local glass artist and sculptor Dale Chihuly (born 1941) is doing amazing things in the medium of glass. Below is a pane from the Bridge Of Glass, a lengthy structure suspended over the length of a walkway near the Museum Of Glass. A riot of colours and beautiful rippled shapes all the way along and it's a shame it won't all fit into one photo. This section of the bridge reminds me of a huge lemon slice surrounded by multi-coloured sea jellies, pulsing gently.




Thanks to Bernard and Robert for providing me with a drawing challenge; they will both appear in a future Geeks In Space strip, which I'll scan and post in late January. Rob, yours is a bit more difficult as I have to learn to draw Jimi Hendrix, but I'll give it a go anyway!

October 31, 2011

Off To America!

On Saturday morning, November 5, I will be leaving for the United States. And possibly Canada. I know what those of you with sharp memories who follow this blog are thinking – what's this guy playing at? When 2011 began he was in Sydney, in April he was on the Gold Coast, in July he was in Hong Kong and now he's going to the USA! Is he made of money or what?

Don't think I'm some cashed-up jetsetter, reader. Far from it. But the opportunity came up to go to the USA for 11 weeks. Would you turn it down? Didn't think so. In fact, by the time 2011 is over I'll have spent 88 of its days outside of Melbourne, which isn't bad going at all. 2011 has been a great year, even though my creative output has decreased a fair bit.

Ah well, can't complain. I'll still be able to post things here, so don't ditch this blog for 11 weeks. Really. There'll still be stuff to look at. I promise. And there will be plenty to read as well, as once again I experience the heady thrill of encountering a new country for the first time! Join me as I report from the other side of the world.

July 18, 2011

Hong Kong

Hey everyone. I'm here in Hong Kong, a country I always wanted to visit ever since I saw the huge backlit panorama of the harbour on the wall at the Man Lin Chinese Restaurant in Perth in the early '90s. It just looked so cool with all those skyscrapers and neon lights and is the main reason why night cityscapes feature so heavily in my illustrations.

There have been many amazing sights so far, but two stand out, both of which I saw yesterday. One is the unique architecture of the HSBC Bank Headquarters, built in 1986. It is supported by eight huge pillars and is actually suspended off the ground, so you can walk underneath it and look up into its glass underbelly; it seems they did this to obey the rules of feng shui so you can walk in a straight line from the Star Ferry to Government House. The other is the night view of Hong Kong harbour from Victoria Peak, a sight you can never get tired of (even though you'll already be tired standing in line for an hour for the Peak Tram).

It has been very hot and humid and I've been riding the subway a lot and buying T-shirts and other things. My four cameras have been getting a good workout (Colorsplash, Diana, digital and camcorder) so by the time I get back I'll present a photo gallery: examples of contemporary HK graphic design, store fronts and advertising, as well as some sketches I've been doing while here. Be sure to stop by and check them out!

January 13, 2011

X


I've spent the last 16 days in Sydney, the longest trip there I have had so far. The following is a pictorial account of some of the highlights (that I had a camera in hand for). These are all digital shots; Lomographs to follow in a later post.

The Harbour Bridge on New Year's Eve. The theme for the night was 'Make Your Mark', and so the motif on the bridge was a giant X. It also changed to a smiley face, a hand, a tick and a peace sign, but I liked X best, as a theme for 2011.

Sparks shoot out from the bridge.

This, oddly enough, is the underside of the Harbour Bridge. I took the photo lying on the lawn underneath, looking up.


Bendy Em, a contortionist. She squeezed into this box, 43 centimetres square!

This artwork was one of many on display in the courthouse foyer. It's called Jar Heads by Sunderland College student Jessica Mills. The accompanying card says: "Slipcast lidded jars with underglaze colours". I like the one in orange – he looks a tad confused.

On January 5th, the bridge is still lit up with its 'hand' sign.

Vintage rock/blues trio Kitty, Daisy and Lewis performed on the first night of the Sydney Festival.

Festival First Night – the stage in The Domain.

Panoramic image of Bondi Beach. I'm 38th from left, in front of the randy Swedish backpackers.

May 20, 2010

A Small Boat

On Saturday, May 15, thousands of people packed into Sydney Harbour to see 16 year old Jessica Watson return after circumnavigating the world. My vantage point was close to North Head in the Sydney suburb of Vaucluse. When Jessica's boat finally crossed the heads, it was hard to make out amongst all the other boats (this is a massively zoomed-in shot, so it looks like crud):


A sky-writing plane had written this message earlier, but I can't read what it says. Something-'live'. I've turned the photo upside down. Any ideas?


The next day I went to Darling Harbour and Jessica's boat happened to be moored there, surrounded by news crews and hundreds of photo-takers. I was surprised the boat is only 10.5 metres long – to think she spent seven months on it. I'm sure there were plenty of naysayers, but the impression I got was that most people were proud of what Jessica did, a courageous feat at a time when people are taking fewer and fewer risks in the world.


To finish up, here's a shot of a road sign somewhere on the Hume Highway in rural Victoria. I think it's awesome that someone named a town Dookie. Did they know what it means as a slang term? If you look closely you'll see that the 'Dookie' part is on a separate piece of metal stuck on to the main one. Perhaps the town was called something else before? And what was it? Some things will have to remain unknown.


To all the fine citizens of Dookie, Victoria: Nonesuch Blog salutes you!

May 19, 2010

Opera House

Circular Quay in Sydney is a great place to enjoy the sights and the atmosphere. The sights, of course, are the Opera House and the Harbour Bridge, probably the two most famous landmarks in the country. Here's my standard postcard shot of the Opera House, taken last Sunday.


On any given day there are hundreds of tourists milling around on the Opera House steps to get their obligatory photo, but photographing it from front-on doesn't do it justice and it won't all fit in the frame anyway. Since it was my second visit to Sydney I tried to get something different to the first lot, and one of them was this darkened shot with a glimpse of the bridge in the background. It would be better if you could see more of the detail on the roof.


And so the Opera House will continue to attract thousands of tourists, most of whom will end up doing that ridiculous 'star jump' pose on the steps. Grow up, people. That aside, I still find it a great shame that the man who designed the building died without ever seeing it finished.

Next time: A small boat.

May 18, 2010

Bondi Beach

This is the first of three posts about my trip to Sydney last week. First up – Bondi Beach. Now we all know that this beach, in Australia's wealthiest suburb, is well known around the world. For those of you who haven't seen it, here's a panoramic shot I did.


It's almost empty because last Friday was fairly cold. You've probably seen that Bondi Rescue show that they film here, but let's ignore the lifesaving. There's also skate ramps and street art along the walkway facing the Tasman Sea. Below is an emblem-style stencil showing Bondi's postcode, 2026.


There are two of these; someone drew a cigarette in the girl's mouth on the other one. The next picture is of one of the street artists at work on the wall.


They've covered a lot so far, as you can see the wall is fairly long. The new stuff has a lot of Avatar graphics in it.


Next time: the Opera House and Harbour Bridge.